Movie Review: Iron Man starring Robert Downey, Jr. 

Halle-freakin'-lujah! The summer of slick action flicks has finally begun. 

Nobody does 'cool' the way that Robert Downey, Jr. does. From scene one of his fantastic new action superhero movie Iron Man, you are swept up in the story, easily believing that he is his character: an uber-cool, ultra-intelligent, sexy powerhouse of a man (likely not that different from Downey himself).

In the film's title role, Downey plays Tony Stark, a multi-billionaire hotshot, robotics engineering whiz, and co-owner of his family's weapons manufacturing business. He is a man's man: that guy that all guys want to be, and that all women want to be with. He is a man who is equally feared and admired... epitomizing the scotch swilling, mojo swinging king of cool.

Yet no sooner does the film's introductory sequence get under way than Tony gets knocked off his high horse - in a major way. While traveling in Afghanistan to promote his latest line of weapons, his caravan is bombed and he is taken hostage. His captors want him to build them a weapon to use against the country he so loves and wants to protect. He refuses, then pretends to give in as he uses the supplies they provide to build hatch an escape plan. Instead of a bomb, he builds himself a computerized bulletproof 'iron' suit that is tough enough to essentially allow him to shoot, flamethrow - and even fly - his way through the terrorist village and escape certain death. On the way out, he notices something quite disturbing: that these terrorists managed to somehow get their hands on some of his company's weapons.

Three months later, when Tony manages to make it back home, he experiences a reawakening of the soul. Much to the chagrin of his business partner Obadiah Stane (Jeff Bridges), best friend Jim Rhodes (Terrence Howard), and doting personal assistant Pepper Potts (the luminous Gwyneth Paltrow), Tony decides to stop manufacturing weapons and instead focuses on perfecting his "Iron Man" design. Determined to stop evil once and for all, this is where the action in the flick starts to get good, as he builds, tests, and utilizes his kick-ass design in an effort to help rebuild U.S. military war efforts.

Smart, sassy, and oh-so-sexy, Iron Man - the latest in a line of movies based off of Marvel comic series - kicks off what is bound to be an exceptional summer of action flicks. Downey couldn't have been better - many times being the sole reason why my eyes were glued to the scene. Such a role for him has been a long-time coming - and he certainly doesn't squander this opportunity to turn his career around in a major way.

The movie is funny, entertaining, and sleek, while also managing to have a somewhat interesting story and a splash of heart as well (Stark's relationship with his close personal assistant Pepper Potts is particularly charming). Particularly engaging are the scenes that simply include Tony and his robotic lab assistant, an inanimate character that holds its own throughout the film as a comedic nod to younger viewers.

If there was any issue I had with the film at all, it was that I wanted more action from Iron Man himself; only once did we see him going out and kicking some ass - which made the movie feel a bit like the first in a three-part franchise, setting up the story for more action to come. And, I must say that Paltrow's talent was a bit squandered; I would have liked to see her step up to the plate a bit more, rather than simply play the standard Marvel damsel in distress.

But the set-up and execution of what is bound to be just the first in a new Marvel film franchise is a good one: fun, entertaining, and splashy. The best part? The ending leaves it wide open for a sequel.

• The Daily Dawdler Rating: A-

• Paramount Pictures, Rated PG-13. Tickets available online at Fandango.com. Official site: www.ironmanmovie.marvel.com.

• Watch the Trailer:

 Coming soon to theaters: Miss Conception starring Heather Graham

You know, no shit - just the other day, I was wondering: whatever happened to Heather Graham? It's like after doing 1999's Austin Powers: The Spy Who Shagged Me, her career has suffered or something. (Got me how that one happened... Ahem.)

Okay, but every so often, her name pops up in obscure indie-ish films (Gray Matters), yadda, yadda, yadda... but rarely is it for something I'm even remotely interested in seeing (Broken). And it's too bad, because I've actually missed her goofy charm making its appearance in the mainstream (Scrubs).

 I'll tell you what, though: after seeing the promo trailer for her new movie, Miss Conception, I'm beginning to wish that she just would have remained obscure.

See, for a while now, I've been happy to just sit back and wait for Heather Graham to rebuild her career - to come back shiny and fresh and new. I've been waiting for the Heather Graham I once believed in to swoop in and blow everyone away with her newly discovered sense of self, and a new ability to choose a role that will actually garner her some respect.

But now that I've seen this new trailer, I can't sit idly by any longer; I must speak out. I feel obligated, Miss Conception Graham, to clue you in on something: I don't think that this film - the plot for which revolves around a pre-menopausal woman achingly desperate to have a baby - is going to do you any favors. I mean, last year was the year of preggo films (see: Juno, Knocked Up); this is so five minutes ago. And even if it wasn't, did you really have to do it with a fake English accent?:

Really?!

And did it have to be in a film that is so obviously cliché - that looks so vapid, so vacant, so cheesy that I can barely sit through the preview? Come on, Heather. You're better than this! Read some self-help books; get a therapist. Do what needs to be done! Because I believe I can speak for all of your fans when I say: we want our Heather Graham back: the one that is the little blonde cutie pie with the goofy grin and awkward charm. The one that shows some brains, some spunk, and is downright adorable. We wish you luck, Ms. Graham, we really do. But this version of yourself: the English accented desperate bimbo? Well, she's just gotta go.

• Miss Conception starring Heather Graham and Mia Kirshner: First Look Studios. Release Date: June 6, 2008. Tickets available online at Fandango.com.

    

When you're home from work or school, sick with something icky, sometimes there is nothing you can do but sit on the couch and veg out. Typically, this means watching movies and TV... but not just any flick 'll do.  There are certain criteria that must be strictly adhered to... and we're here to help.

First, the movie and/or TV show must be entertaining without having too much eye candy (just in case motion sickness will do you in), and it can't be too intellectual, either - because your head will be clogged with too much nastiness to think too hard. Nothing involving gore or food (or gory food, for that matter) will do either, because if you're home with, say, the flu - you just might upchuck at the sight of it. Chick flicks seem to work well for this purpose - although some classics will do, as well. Essentially, you're looking for those DVDs that are the Hollywood equivalent of chicken soup: soothing for the soul, but not unsettling to the tummy.

And so, without further ado, here is our list of:

The Top 10 DVDs to Watch When You're Sick

#10

Frasier: The Tenth Season starring Kelsey Grammar and David Hyde Pierce. Sometimes, all you need is a good laugh - and this is arguably one of the seasoned sitcom's best. If you're not in the mood for the entire season, pop in Disc 2 and see "Door Jam," which features the Crane brothers at their absolute best (and most pompous!). Then toss in Disc 3 and watch "Fraternal Schwinns," where, as grown men, they learn to ride bikes.

#9

Enchanted starring Amy Adams and Patrick Dempsey. Really, any Disney or Pixar movie could be substituted here, although this latest of Disney films covers all bases: cuteness, charm, and laughs.

#8 

Duets starring Gwenyth Paltrow and Paul Giamatti. Alright, so I may be one of the only people on the planet who loved this movie - but that's precisely what makes it such a great film for a sick day. (I mean, come on: a movie about karaoke competitions? What can be more fun?) Huey Lewis may not be able to act much, but he sure can sing - and Paul Giamatti, Gwenyth Paltrow, and Maria Bello make valiant efforts up on stage. Perfect for singing along with - and then napping through.

#7 

Star Trek Voyager: Seasons Three and Four starring Kate Mulgrew. Ah, yes... Sometimes there's nothing better than good old fashioned campiness. Season Three is when the show really gets its legs; if you're in it for the sexy eye candy, though, skip to Season Four when Jeri Ryan makes her appearance as sexy Borg Seven of Nine.

#6 

You've Got Mail starring Meg Ryan and Tom Hanks. I'm particularly fond of this ultimate chick flick - not just for its headliners, but for its heart. It's a feel-good movie that is simply perfect for cuddling up with and enjoying under a blanket - and with a cup of hot tea.

#5 

Dirty Dancing starring  Patrick Swayze and Jennifer Grey. Oh yeah, baby, the ultimate of '80s movies. Dancing, sex, comedy, drama... this "Baby's" got it all. And since you've seen it so many times already, it's easy to have on in the background while you're zoning out on sinus medication.

#4 

Dan In Real Life starring Steve Carell and Juliette Binoche. The ultimate family feel-good flick, the heart and comedic warmth from Dan In Real Life is bound to make you feel a bit better... and maybe even crave a few pancakes.

 

#3 

Veronica Mars: The First Season starring the absolutely adorable Kristen Bell. Mystery, smarts, fun. It's the ultimate of Nancy Drew-ish crime soaps, with a bit of Buffy-styled attitude thrown in for good measure. Pop in Disc 1 and I dare you not to fly through at least a half dozen episodes before the day is done.

#2

 Legally Blonde starring Reese Witherspoon. Who'd of thought that a movie about blonde bimbos could be so inspiring? Witherspoon's portrayal of sorority girl Elle Woods is absolutely classic and well worthy of position #2 on our list.

 

#1

Ferris Bueller's Day Off starring Matthew Broderick. "Bueller... Bueller..." Yep, this choice was obvious - but that doesn't make it any less apropos. This is, after all, the representative film for skipping out on school; why not make it your very own anthem for sick days, too?

Now through April 24th, you can visit eBay for your chance to bid on exclusive, autographed posters from The Bank Job starring Jason Statham.

The winning bidders will receive studio certified posters signed by the cast along with a signed letter verifying their authenticity.  Auctions begin today and will continue through the film's opening weekend.  Interested fans and collectors should be aware there are only a limited amount (10, from what I'm reading) of posters available. 

Included in the auction is: a signed poster from Jason Statham and a hand-signed letter from a Lionsgate executive.

Very cool for fans of the movie, as well as collectors. And, it's for a good cause, too: All (and by all, I mean 100% of the) proceeds will benefit the Elizabeth Glaser Pediatric AIDS Foundation.

The starting bid is $84.99 plus $9.99 shipping. Click here to view the auction, which ends April 24th.

• Film Synopsis:
  
  Inspired by the infamous 1971 robbery that took place at the Lloyds Bank in Marylebone London, Lionsgate's The Bank Job stars Jason Statham (Transporter, Snatch, Crank, The Italian Job) and Saffron Burrows (Klimt, Enigma). The highly-charged heist thriller tautly interweaves high-level corruption, murder and sexual scandal in 1970s England. 
  
  A car dealer with a dodgy past and new family, Terry (Statham) has always avoided major-league scams. But when Martine (Burrows), a beautiful model from his old neighborhood, offers him a lead on a foolproof bank hit on London's Baker Street, Terry recognizes the opportunity of a lifetime. Martine targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal that spans London's criminal underworld, the highest echelons of the British government, and the Royal Family itself... the true story of a heist gone wrong... in all the right ways.

• Watch the Trailer:
  
  

DVD Review: There Will Be Blood starring Daniel Day-Lewis and Paul Dano

There Will Be Blood - screenwriter/director Paul Thomas Anderson's Oscar-winning film about the 1920s oil industry - is not a film to be taken lightly. The characters are insane, their motivations dark. This is not a movie with a light at the end of any hypothetical tunnel; instead, it is a brutal portrayal of the cutthroat oil industry - and, as the story showcases a battle between oil men and church figureheads, without any clear lines of good and evil - it lends a moderately interesting, very creepy take on organized religion as well.

Even the music in There Will Be Blood (composed by Jonny Greenwood, the guitarist from Radiohead) can be considered its own character throughout this jarring film. It is disconcerting music to say the least; harsh string arrangements and creepy segways make the movie feel more like a horror flick than a period drama. And more often than not, it left me feeling unsettled and on edge. Unfortunately, where some may find it groundbreaking, I found it to be simply distracting from the rest of the movie.

It won't be any surprise when I tell you that the main reason for watching this film is Daniel Day-Lewis, who most deservedly won the Oscar for his riveting portrayal of 1920s oil man Daniel Plainview. In There Will Be Blood, Day-Lewis proves for his fans yet again that he is truly one of the most accomplished actors of our time; he not only acts the role, he becomes it: from the mannerisms to the speech patterns, to the brazen - and often insane - persona. Plainview is a man who will stop at nothing - and protect no one - to further his oil rigging business, and Day-Lewis captures this raw intensity with a passion that is unmatched.

On the flip side, Paul Dano's excessive overacting and simultaneous whining (as Plainview's rival, the town's local preacher) is enough to make you want to pull your hair out. His character is annoying with a capital A . Other personalities throughout the film - such as Daniel's adored and then abused son H.W. (played by Dillon Freasier as a boy and then, later, by Russell Harvard as a man - who, in both cases, end up presenting the character as oddly flat), and Kevin O'Connor as Daniel's creepy would-be brother Henry, leave the viewer with few characters to empathize with.

Yet even beyond that, my biggest issue with this film is that - for an epic drama - it spent much more time on developing the acting talent than it did nurturing the plotline. Often, I found myself wanting to tune out (although Day-Lewis's performance did keep me riveted nonetheless) because I couldn't find my footing in terms of caring for the story. All in all, I wondered: What's the point? Because this is primarily just a story of a self-destructive, careless, mean, and utterly insane man. There isn't any growth, there isn't any climactic rise and fall... nothing in this film left me even remotely caring: for its characters... or for its plot. And, quite frankly, I didn't care what happened to the characters - because their motivations - no matter how psychotic - were decidedly unclear. As a result, I felt physically and emotionally spent after watching There Will Be Blood - mostly because of Day-Lewis's unique brand of intensity, but also because I had to exert so much damn effort over the 158 running minutes of the film to enjoy it.

This is an interesting review to write, because There Will Be Blood is a must-see movie - but not, necessarily, one of Hollywood's great films. That is, all things considered, the performance of Daniel Day-Lewis, as well as the cinematographic vision portrayed by screenplay writer and director Paul Thomas Anderson, is well worth the strife you'll otherwise have to pay for sitting through this painfully long, brutally downcast, and often plodding film.

• The Daily Dawdler Rating: C

• Paramount Vantage, Rated R. DVD Release Date: 04/08/08. Available online at Amazon.com.

• Watch the Trailer:

DVD Review: Cloverfield starring Jessica Lucas, T.J. Miller, and Michael Stahl-David 

When the trailer for producer J.J. Abrams's latest action-mystery spectacle first hit theaters in July 2007 (attached to the blockbuster Transformers), it quickly became one of the most talked about trailers in recent movie history. It was mysterious, scary, and - most of all - hush-hush, as Abrams and others behind the film, including director Matt Reeves, were keeping the details of this much-anticipated film on the down-low. The Internet became abuzz, wondering what this new movie - known only as Cloverfield - was about. Speculation ran high... as did expectations, as audiences eagerly awaited its January 2008 theatrical release.

This rising anticipation, however, is almost precisely what did this movie in - causing low grosses at the box office and a wide onslaught of critical reviews. It seems that what people almost immediately did was take this movie too seriously - and, ultimately, it became its demise. Sadly, Cloverfield fell prey to what so many others have fallen to before: over-hype... ultimately leading to an underwhelming reception.

Now, however, with the DVD release of Cloverfield, the movie has a chance to make it to the masses, delivering at home what it failed to do in the theaters: thrills, scares, action, and pure entertainment. And let's not beat around the bush, folks: Cloverfield is just that. It's entertaining, scary, thrilling, and action-packed. What it is not, however, is something to be taken seriously.

Cloverfield is an apocalyptic monster tale set in an undeterminable timeframe in New York City. A creature - something larger, stranger, and more powerful than we've ever seen before - attacks N.Y., effectively demolishing anything in its path: from the Brooklyn Bridge to the Statue of Liberty and everything in between. The military intervenes and, eventually, the decision is made to completely level Manhattan in an attempt to derail the monstrous being - and to keep it from taking over the entire population of New York, not to mention the world. Filmed with a similar approach as The Blair Witch Project - with a handheld camera from the viewpoint of a Manhattan resident as he and his friends attempt to escape the destruction - the film feels real and gritty, while also maintaining a campy monster movie vibe. (If you get terribly motion sick, beware.) But most of all, the film succeeds at being scary; I screamed out loud so often that I was hoarse at the end of the movie. And, much to my delight, the fear was due to sheer monstrous terror; this is not a movie that "scares" through a veil of vast amounts blood and gore, but rather creeps up on you like the boogie man underneath your bed.

Critics of Cloverfield have claimed that there are too many likenesses in this story to the 9/11 terrorist attacks in order to be enjoyable - and, I'll admit, that I do see this parallel. (When the lead character is on the phone with his mother, crying and saying that he was "right there when it hit," it lands a bit too close to home.) Whereas I am not a New York resident and was lucky enough to not have a loved one perish on 9/11, I still can certainly see how the images of sheer destruction in New York City could be too real - and perhaps to timely - to entertain. However, I can't imagine that the film's producers meant to be blasé or insensitive by any means; instead, the Special Features on the DVD reveal that Abrams was merely trying to scare the shit out of viewers in a way that was "safe," by showcasing unrealistic - if not terrifying - monsters instead of terrorists. Good scary movies, after all, are a bit realistic - so that viewers can immerse themselves in the story and get genuinely terrified. Cloverfield, in this regard, hit the mark. And so. If you can manage not to take the film too seriously, and are ready to simply sit back and be entertained by a good, old fashioned monster takes Manhattan film, then by all means give this DVD a spin.

• The Daily Dawdler Rating: A-

• DVD Release Date: 04/22/08. Paramount Pictures, Rated PG-13. Available online at Amazon.com.

• Where Were You When Cloverfield Hit?

  In celebration of their release of the Cloverfield DVD on April 22nd, Paramount Pictures will launch a user-generated video contest to find out where you were when the Cloverfield Monster attacked.  Users will submit video entries of up to five minutes, showing their fictional accounts of what was happening to them when the Cloverfield monster attacked.  The entries will be judged by other users and will be narrowed down to the top 3 videos. Cloverfield Director Matt Reeves will choose the grand prize winner.  The prize is $4,500 and a Paramount Pictures DVD pack. Users can enter the contest at http://www.whencloverfieldhit.com/.

• Watch the Trailer: 

   

DVD Review: Sweeney Todd: The Demon Barber of Fleet Street starring Johnny Depp

Much hype has surrounded the big screen version of Sweeney Todd: The Demon Barber of Fleet Street. Golden Globe and Oscar wins and nods aside, for uber-fans of Tim Burton/Johnny Depp match-ups, this one is a doozy - and marks a quite remarkable adaptation of the classic Broadway musical. For the rest of us, however, Sweeney Todd is a bit like being on the outside of an inside joke: you simply won't get it.

In many ways, Sweeney Todd is a masterpiece. The way in which Tim Burton has filmed the graphic musical is phenomenal; it's no wonder it won the 2007 Oscar for Art Direction. But when it comes to the meat of the film (no pun intended), it falls horribly, terribly flat.

For starters, let's take the music. Award-winning Stephen Sondheim (musical creator for Sweeney Todd, as well as hits Into the Woods, Company, Follies, and many more) has long been regarded as one of the geniuses of Broadway. His lyrics are timeless and often humorous (he wrote for West Side Story, among others), and his timing is incredible. What he is not known for, however, is necessarily being musically catchy. In fact, his music is renowned for being difficult to sing and perform - as it often bounces around unmelodically, flying along by the seat of its pants. That could be why, then, his music doesn't translate really well to the big screen. Let's set aside the fact that Johnny Depp and Helena Bonham Carter can hardly sing (their acting performances mostly make up for what their voices lack) and consider this: Not once throughout the movie was there a song that I could take with me - that I could sing aloud or even hum along with. And so. When a musical doesn't have a ditty that sticks in your head, it can equal a problem translating to viewers - something that Sweeney Todd most definitely has trouble with.

Yet, that doesn't even begin to touch on the real trouble with this movie: it was simply uninteresting. Heavily accented singing voices didn't help the fact that many of the actors - and, therefore, plots - were difficult to understand. The characters were two - and sometimes one - dimensional at best, their relationships with one another tenuous and unbelievable. Add to that a few haphazard characters that were clearly cast only for their singing ability and it made for one unsettling film... and not in a good way. By the time that the gore (never mind that it's clearly fake) made its nasty appearance - with throats being deeply slashed left and right - it was not only boring but also unnecessary. I really didn't need to see the same scene again and again and again... as Mr. Todd continued to butcher his victims one after another in the same. exact. manner.

That's not to say that there wasn't at least a little bit of entertainment value with Sweeney Todd. In addition to Burton's filming style, Helena Bonham Carter stole the show. Her lines were often funny and well delivered; her character - the creepy Mrs. Lovett, owner of the local meat pie shop and Todd's partner in crime - was the driving force behind the show. Sadly, Depp could have thrown his considerable talent into the ring, but instead opted to play Mr. Todd as a more subtle - and way too serious - characterization of the original Broadway persona. (Perhaps he and his costars were too distracted with the complicated soundtrack to pull out their acting A-game?) I'll tell you: I've never been one to use the words "dull" and "lifeless" to describe Johnny Depp... but I suppose there's a first time for everything.

I'll admit that I don't always enjoy Tim Burton films; I like my movies to have a bit more performance and characterizations than his visual productions often have room for. However, even with that said, I must say that there is absolutely no excuse for a movie filled with staggering visuals, soaring musical numbers, gallons of blood, and even Johnny Depp for chrissakes, to be boring... and yet, it was.

• The Daily Dawdler Rating: D

• Dreamworks Pictures, Rated R. DVD Release Date: 04/01/08. Available online at Amazon.com.

• Watch the Trailer:

DVD Review: Enchanted starring Amy Adams and Patrick Dempsey 

Enchanted is the latest in a long line of Disney princess movies based on the same tired premise: girl wishes for boy, girl meets boy, girl gets boy... and lives happily ever after. This time, however, the "twist" is that the cartoon characters come to life - and even showcase a smidgeon of feminist backbone - in this delightful (yet, be clear: still very Disney) film.

The story tells the tale of the beautiful Giselle (Amy Adams), a fairy tale character who is about to marry her handsome Prince Edward (James Marsden). Edward's mother-in-law, however - the evil Queen (Susan Sarandon) - is determined not to let Edward marry, for if he does, she will lose the crown. As a result, she sends Giselle far, far away - to a land where there is no happily ever after:

New York City.

Many delightful laughs ensue - primarily because of the absolutely darling Amy Adams, who plays the naive cartoon-princess-turned-real-life-woman to an absolute tee. Adams, in fact, is the sole reason for watching the film. You can't help but smile when witnessing her infectious charm. Even though the story relies on classic fish out of water comedy, Adams somehow manages to make it all seem fresh and new. Cute, cute, cute.

Of course, the plot doesn't quite end there... The Evil Queen sends her minion out to do away with Giselle - while, at the same time, the daft Prince Edward (the hilarious James Marsden) attempts to rescue her. In the meantime, Giselle is making new friends of her own - particularly with the dashing divorce attorney Robert (Patrick Dempsey), a single father who is seemingly trying to teach his six-year old daughter the value of being a strong, independent woman.

This would all be fine and good except... (Spoiler Alert!) when Disney attempts to create a feminist subplot, it can't help but internally combust upon itself. When in one scene Robert is giving his daughter  Morgan a book on remarkable women throughout history (instead of the fairy tale princess story she of course really wanted), and then later remarks how he teaches Morgan these lessons so that she won't grow up to be disappointed - it ends up falling upon Giselle to teach Robert that "dreams really can come true." The message? That strong, independent women don't get to have their dreams come true; instead, they end up rigid, loveless, and divorced... or even dead... (as they point out in the story: Madame Curie may have been a remarkable woman but her "fairy tale ending" was death).

All in all, I'm not sure what's worse: Disney's same old tired, gender clichéd storylines - or the fact that their attempts at being "feminist" are sadly transparent and somehow ingenuine. Yes, this is a delightful story - with fun music, funny performances, and somewhat of a new twist on princess stories. But don't expect Disney to have come to its feminist sensibilities just yet. After all, to do away with its happily ever after fairy tale princess storylines would be to shoot its own massive corporate empire in the foot. 

• The Daily Dawdler Rating: B+

• Walt Disney Pictures, Rated PG. DVD Release Date: 03/18/08. Available online at Amazon.com.

• Watch the Trailer: 

Coming soon to theaters: Forgetting Sarah Marshall - starring Jason Segel, Kristen Bell, Mila Kunis, Paul Rudd, Jack McBrayer, and Jonah Hill. 

Why You Care

Because any self-respecting TV fan loves Veronica Mars... and therefore must be adore the delightful Kristen Bell. Oh, and because any movie trailer that incorporates Eric Carmen's "All By Myself" song is, at least in my book, an instant comedy classic.

Synopsis

From the producers of The 40-Year-Old Virgin and Knocked Up comes a comic look at one guy’s arduous quest to grow up and get over the heartbreak of being dumped—if he can only make himself start Forgetting Sarah Marshall.

Struggling musician Peter Bretter (Jason Segel, Knocked Up, How I Met Your Mother) has spent six years idolizing his girlfriend, television star Sarah Marshall (Kristen Bell, Veronica Mars).  He’s the guy left holding her purse in paparazzi photos and accidentally omitted from acceptance award speeches.  But his world is rocked when she dumps him and Peter finds himself alone.  After an unsuccessful bout of womanizing and an on-the-job nervous breakdown, he sees that not having Sarah may just ruin his life.

To clear his head, Peter takes an impulsive trip to Oahu, where he is confronted by his worst nightmare: his ex and her tragically hip new British-rocker boyfriend, Aldous (Russell Brand), are sharing his hotel.  But as he torments himself with the reality of Sarah’s new life, he finds relief in a flirtation with Rachel (Mila Kunis), a beautiful resort employee whose laid-back approach tempts him to rejoin the world.  He also finds relief in several hundred embarrassing, fruity cocktails.

For anyone who has ever had their heart ripped out and cut into a billion pieces comes a hilarious, heartfelt look at relationships—featuring Paul Rudd, Jonah Hill, Bill Hader, and Jack McBrayer.  Part romantic comedy, part disaster film, Forgetting Sarah Marshall is the world’s first romantic disaster comedy.

• Universal Studios, Rated R. Release Date: April 18, 2008. Tickets available online at Fandango.com.

• Official Site: http://www.forgettingsarahmarshall.com/

  Peter's Blog:  http://www.ihatesarahmarshall.com/
  How quickly things have turned!...What started out as Peter's blog dedicated to loving his girl, Sarah Marshall, is now a space for Peter to express his bitter heartache and seek revenge on his celebrity ex!  Get inside Peter’s heart by tuning into his new blog dedicated to "hating Sarah Marshall." Check out his loveable and awkward video blogs, song dedications, and photo postings! And if you really want to offer Peter some encouragement, post your very own photos documenting the angst-driven Sarah Marshall banners you spot around your hometown on Peter's Flickr page!  

  Sarah Marshall's Fan Site:  http://www.sarahmarshallfan.com/
  Sarah's #1 fan shows her some love with an all-new Sarah Marshall fan site!  Get all the latest Sarah Marshall news- gossip and photos galore. Want to know what's really happening with Sarah and her new British rocker boyfriend? ...Check out the fan site! 

  Crime Scene: Scene of the Crime - NBC Show Page: http://www.nbc.com/Crime_Scene/
  Crime Scene: Scene of the Crime starring Billy Baldwin and Sarah Marshall...check out exclusive clips from NBC's hit show, only on the show's new site! 

  Watch the Trailer:

DVD Review: Dan In Real Life starring Steve Carell

 Every over the top comedian has their one gem - the one where audiences can once and for all sit up and take notice of their actual acting ability. For Adam Sandler it was Punch-Drunk Love; for Jim Carrey it was Eternal Sunshine of the Spotless Mind; for Will Ferrell it was Stranger Than Fiction. Dan In Real Life is most definitely that role for Steve Carell. In it, he proves what most fans of his comedy already suspected: that he is capable of comedy, drama, and a lot of heart (even all three at once). Who'd have thought that Carell could play a romantic lead with finesse? But, oh, he can.

Dan In Real Life is pretty much a standard romantic comedy - but there is one thing that this film has above all the rest: an ensemble cast that is oozing with fun and heart. Carell plays the lead, Dan, a writer and single father of three daughters. Dan has given up on love, content with his life with his children and the satisfaction he finds from writing his "Dan In Real Life" advice column. That is, until he meets Marie (the luminous Juliette Binoche; I so love her!), a smart, beautiful woman with whom he has immediate chemistry. For anyone familiar with romantic comedies, it won't come as a surprise that this story isn't as easy as these two finding one another and hitting it off. No, conflict must ensue: this time, it occurs when Dan finds out that Marie is actually dating Dan's brother, Mitch (Dane Cook, who doesn't do as badly of a job as the younger brother as you might think).

Rounding out the family chemistry is John Mahoney as Dan's father, Dianne Wiest as his mother, Jessica Hecht as his sister, and a talented young cast of actors playing his daughters, nieces, and nephews. The cast provides a solid, supportive, and - most of all - believable, base for Dan to wallow in his awkward self-pity (something Carell does best) - as well as discover the strength to move on in life. What ensues is a fabulously charming, heartwarming tale of friendship, family, new love, and new beginnings.

All in all, the message from Dan In Real Life is just as much about finding a second chance at love as it is about the togetherness of family. For once, we get to see a family that has its dysfunctions - sure - but is also happy, loving, and close. One of my favorite moments in the film is seeing the family doing their weekend ritual: purchasing two copies of the local paper so that they can do a crossword contest: boys vs. girls. The chemistry between the entire family is palpable; either these actors really get along well in real life or they're faking it very, very well. I suppose what I'm trying to say is: I dare you not to smile during this film, and not to allow your heart to become even just a tad bit lighter.  

• The Daily Dawdler Rating: A

• Touchstone Pictures, Rated PG-13. DVD Release Date: 03/11/08. Available online at Amazon.com.

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